- SOLD OUT - Great Southern Nights in association with Fusion Boutique Present The Crooked Fiddle Band & Deepsea Lights
Great Southern Nights in association with Fusion Boutique Present
THE CROOKED FIDDLE BAND + DEEPSEA LIGHTS
Live in Concert at the Baroque Room, Carrington Hotel, Katoomba, Blue Mountains
SATURDAY 14th November 2020
DOORS OPEN: 7:00pm
SHOW START: 8:00PM
TICKETS: $35 pre-sale online + b/f
OR $40 on the Door - Cash Only (unless Sold Out)
Group bookings of allocated seating of 2 & 4 only
Tickets are limited by COVID capacities and we advise booking early to avoid disappointment
- SOLD OUT -
The mesmerising and fiery acoustic 4-piece that is THE CROOKED FIDDLE BAND deliver high-energy Chainsaw Future-Folk. Post-Apocalyptic World Music. Celtic Energy. Swamp-Stomping Hoe down. Dance-Inciting Mayhem. Hardcore Gypsy Passion!
The Crooked Fiddle Band formed in 2006 through their mutual love of the energy and intensity of various traditional world music. Whilst writing and arranging, they discovered that this energy was shared by the other music they love: there seems to be a common thread between the frenetic accompaniment of gypsy, klezmer and punk rock; between the twisting rhythms of math-metal and Balkan folk; between the clear tonalities of Scandinavian folk, Celtic folk, and cinematic post rock.
All these influences went into the mix, but what came out was The Crooked Fiddle Band. The sound they love is dark and often driving, but also writhing and ecstatic. They have jumped around with whirling crowds at festivals, bars and dirty warehouse parties throughout Europe and Australia and also played their more cinematic sounds in the Opera Theatre of the Sydney Opera House.
From whirling dances to intense battle-scene climaxes, this four-piece spurs the dance floor into a post-apocalyptic hoe down.
This music they have sometimes called ‘chainsaw folk’ – even though they are pro-conservation – but others have called it “14th century Romanian metal”, “thrash folk”, “whirlwind gypsy” and even “what Sepultura would sound like if they provided the soundtrack to a hyperactive version of O Brother Where Art Thou.” So whilst the search continues for a name for their genre, they are mainly concerned with making music with melody, energy and intensity.
Driven by the beautiful and furious fiddling of Jess Randall (also on Lennart Lovdin Nyckelharpa), and underpinned by a rhythm section featuring Gordon Wallace (Gilet guitar, a Wheeler Custom Lutherie guizouki and a Fylde mandolin and cittern), Mark Stevens (double bass, Appalachian dulcimer, charango) and Joe Gould (drum kit, hand percussion, garbage bin, vocals) the Crooked Fiddle Band sound blasts, rocks and grooves to the point of dementia, compelling listeners into a joyous frenzy.
Their latest offering ‘Another Subtle Atom Bomb’ takes the band’s blistering violin-led live show and creates soundtracks to their feelings around climate change. From angsty and furious folk tunes to fantastical imagined worlds full of ecstatic hope, this is The Crooked Fiddle Band’s most personal album yet.
Supported by the Blue Mountains based Deepsea Lights they have spent most of their time playing gigs in and around Sydney, taking their time to craft a unique sound and engaging stage presence. Sometimes playing more traditional venues, often playing underground artist run events, their versatile set means they’re at home on most line-ups.
Captivating vocals, catchy melodies, live looping, spoken word; Deepsea Lights put a lot of focus on pulling a crowd in, and creating and holding a space. In 2019 the duo released their first full length album “The Space Between”.
Not content living in just one genre, the duo dip their toes (and sometimes plunge their heads) into anything that inspires them. Lying somewhere between folk and trip-hop, their uncommon sound can move from rolling bass lines and ethereal vocal melodies, to beats composed entirely of household objects being struck with other household objects, to aggressive hip-hop rants, to soft rainy-day folk songs. Stitching their inspirations together like a sonic patchwork quilt, they’ll use whatever they can get their hands on in an effort to get things out of their heads and into the world.